CHEF'S SECRETS, PART 2, OR, FLAVOR AND WHERE HE GETS IT

CHEF'S SECRETS, PART 2

or,

FLAVOR, AND WHERE HE GETS IT

DRY INGREDIENTS

I have two storage stashes for my flavor boosting ingredients, cold and not cold. The supplies that are dry and mostly non-perishable go in the pantry or on the kitchen shelves. A few of them even reside close by the stove. Most of these are things you can buy at the store and you probably keep a few of them around in your own kitchen. Do NOT underestimate the value of these seemingly mundane items.

First and foremost is salt. And not table salt, but yes, I keep that around too; mostly for salting the water of things I blanch or par-cook. I cook with kosher salt and I use sea salt when I want that Bang-Pow salt effect in a particular dish. But back to your table salt for a moment or two. Do you blanch vegetables like green beans or broccoli or carrots until they're just done and then saute them in butter or olive oil just before serving. No? Well I do and they taste better for it.

And they taste better still if you put a heavy dose of salt into your blanching water. In Thomas Keller's world famous restaurants, French Laundry (Napa Valley) and Per Se (Manhattan) he instructs his cooks to blanch their green vegetables in water "as salty as the ocean". Why? Because it brings out FLAVOR.

Next to the salt on the shelf is black pepper and no, not black pepper that you buy pre-ground in a little plastic package or a jar. I use either a pepper grinder in the kitchen or if I am really busy, I pre-grind black peppercorns in a coffee/spice grinder each day and keep them in a cup near the stove. Black pepper is one of the simplest flavor boosters I use, but I never tire of the "bump" it gives to salads, fresh sauteed vegetables, or meat and fish. And if you really want the pepper to have some zing (this is a secret, don't tell) toast the whole peppercorns really lightly in a skillet until the start to give off a peppery scent and then grind them. Zap.

Okay, moving on through the dry goods. I always keep a good (and relatively fresh) bag of red chile flakes around to add little bursts of heat to pasta sauces (specifically tomato). You can buy bulk red chile flakes at places like Whole Foods (gak!) and you can be reasonably sure that they have sufficient turnover so that the chiles are not aged into a second dehydration. Another spice blend that I keep around is packaged curry powder. I use it in a couple of my soups and I slip it into flour mixes that I use for fish or chicken before pan-frying. It is also a principal ingredient in my Chilled Curried Cauliflower Soup. Again, this is not one of those things that you want to try to use after it's been sitting on the back of your pantry shelf for two or three years

Something restaurants have been using for many years (I first started using it at the Elite Cafe in the mid-90's) is Pimenton, or smoked paprika. It has been hard to find, but now commercial spice manufacturers like McCormick are selling it. Paprika is made in Spain and Hungary by drying pimiento chiles (a long sweet/hot red pepper) and grinding it. Most of the commercial paprika on shelves in people's home kitchens is so old it is no longer hot and not even perceptibly sweet. This, like the chile flakes, is something best bought from a wholesale spice seller and used soon after purchase. But, back to the Pimenton, which is those same pimiento chiles, but smoked before being dried and ground. The flavor difference between regular paprika and Pimenton is profound and I love to use it in rice dishes like jambalaya, braised chicken dishes that use roasted tomatoes, any stew I make that includes sausage or pork products and soups. This is a very interesting flavor and I can't recommend it highly enough.

Something I just recently started keeping around and working with is tubs of different flavors of Thai curry pastes. They generally come in red, yellow, green, and massaman. They represent a lot of hard work avoided, if one tries to make them oneself. as is asked for in a number of Thai cookbooks and recipes. Essentially, they are a paste made from fresh and dried chiles, ginger, a number of different dried spices (turmeric, cumin, etc.) and they pack a flavor wallop. I use them in rice, sauteed vegetables and in a couple of the cold soups that I make. I particularly like the flavor boost that a tablespoon or so of Thai curry paste gives to my carrot/beet/ginger soup. But use them judiciously, as a little bit of these goes quite a long way. And yes, they are hot!

The Ticos use a lot of achiote paste to color rice and vegetable mixes and I must admit, I'm not adverse to stirring a spoon or two of it into the vegetables I saute when I make a batch of rice pilaf and I want some color (bright, bright yellow, indeed) from it. Achiote paste is made from grinding annato seeds which used to be used in an old kitchen staple from the 50's and 60's, "Egg Shade", used in shrimp and fritter batters. There isn't a significant flavor in achiote, at least none that I can detect, but it sure does make rice a lovely shade of yellow.

And lastly, one of my secret ingredients is a quasi-Cajun spice blend. I've worked in two restaurants that were New Orleans-oriented and saw my share of blackening spices. If I never see blackened redfish again, it will be too soon. But I still love to use a blend of paprika, cayenne, dried thyme, salt, and black pepper as a seasoning agent. I use it in rice. I use it in flour mixes for frying. I add a healthy whack of it into the sauteed vegetable base I add into my seafood or crab cakes. The cayenne provides heat, yes, but the subtlety of the paprika carries a lot of flavor. And it definitely needs salt to help distribute all the flavors. You certainly can rub it on fish or chicken before you pan-fry it and it works nicely with anything you're about to put on the grill, as well. It will burn and char a bit, but I suppose that's the point of blackened anything. My blend used eight parts paprika, one part cayenne, four parts of salt, two parts black pepper and one part dried thyme. Occasionally I will put mustard powder into it if I'm feeling "that way" and crumbled bay leaves are nice if you're not coating fish or meat with it.

I use dried thyme when I make chicken stock (it is irreplaceable) and beans. Bay leaves go into almost all stocks and long cooked braises. Almost all other dried herbs are a waste of time. Oh go ahead and keep some dried oregano around, as long as it's relatively new to your spice cabinet. Take any of your dried herbs that are over six months old and throw them away.

WET INGREDIENTS

Oil and vinegar; wet ingredients. And there you have it, but for the fact that there are so many misconceptions about oils, particularly the various kinds of olive oils, and the fact that balsamic vinegar is just so great in everything. Not.

I use one basic oil for cooking; a canola oil blend. I can get it all the way up to smoking hot and it doesn't burn. It it great for pan-frying fish and chicken and I use it frequently. I generally use it once and toss it. Fish cooked in twice used oil is nasty but occasionally you can get away with it for chicken if you strain it right after you use it and keep it in the refrigerator. I also use half canola oil and half olive oil in a lot of my salad dressings and definitely in mayonnaise. The one great thing it has going for it other than a high smoke point is that it has virtually no flavor. And here's where we segue way in to my olive oil rant...

Despite what they may tell you in cookbooks and on those damn cooking shows, you DO NOT NEED to use 100% olive oil in your salad dressings. Good olive oils have enough flavor to overwhelm the most acidic and saltiest of salad dressings. You can save money and taste the other ingredients in your dressings, aiolis and mayonnaises if you use equal parts olive oil and canola oil. Buying a "light" olive oil is a waste of time. Buy good olive oil and mix it. And if you absolutely must cook with olive oil (don't do it, don't do it), buy the damn light stuff. Good olive oil is not for cooking. Period.

I was talking the other day with an old friend (who shall remain nameless) about a recent recipe for mayonnaise that I had posted on this blog and he said, "So I should use extra-virgin olive oil, right? It's the best, isn't it?" Well yes and no. As far as being the best, it's the purest and has the most flavor. Does that make it the best? Everything has its use and you do not use extra-virgin olive oil except for flavor. If you want to put a splash of it in a dressing at the end of making it that's fine and if you'd rather drizzle it into your salad just before tossing, that's better yet. Most high quality extra-virgin olive oils are flavoring agents. They are not for cooking and they will overwhelm any sauce you make with them in which they are the sole oil used.

Please, please, don't misunderstand me. I love, love, love good extra-virgin olive oil. I love the way a tiny bit of it tastes over a piece of hot grilled fish, mixed with a squeeze of lemon. I love the way it tastes when you drizzle it over lovely fresh tomatoes. And I really love it on fresh grilled bread of high quality. Yes, indeed. I do not love it heated too hot and I do not love it when it overwhelms an otherwise delicate sauce.

And that brings us to vinegars. I love vinegars, too. Acid, used correctly, works much like salt in bringing out flavors. This is why we squeeze lemon over our fish and this is why we put vinegar in salad dressings. Years ago when I worked with Mark Miller in Berkeley he taught me a huge lesson by pouring a good splash of high quality red wine vinegar into a soup to finish it, rather than salting it; brought the flavors right up and helped to balance everything. I liked that.

As you may have inferred I am not a huge fan of balsamic vinegar. Most commercial balsamic vinegars have sugar and artificial coloring added to regular vinegar and are a "safety flavor"; mild and inoffensive so that people with timid palates can use them with impunity. Frankly, that's not me. I use commercial balsamic vinegar to pack roasted beets in and to braise red onions. I also toss fresh strawberries with balsamic vinegar and tapa dulce, our local cane sugar, to spoon over a Basque almond torte I make. For my palate, there is not enough acid in balsamic vinegar for it to make a decent salad dressing. There are many grades of expensive balsamic vinegars and much like extra-virgin olive oils, they are "finishing vinegars", best used as a final drizzle of flavor over tomatoes or even roasted meats.

My favorite vinegar for dressings and hits of flavor is Sherry Vinegar, or Xeres, if you're buying it in Europe or Costa Rica. It has a nice acidic bite without making your nose tingle and doing that funny thing down your eustacean tubes, and there is a "woodiness" to the flavor of it that blends well with most everything. I use it frequently, along with olive oil, sea salt and fresh ground pepper to marinate tomatoes for salads. I use sherry vinegar mixed with a bit of commercial red wine vinegar in salad dressings and have even used it to deglaze the pan after I have roasted chicken breasts.

There are a number of flavored vinegars on the market and they all have their uses. For a white vinegar I like champagne vinegars, as they seem to have a bit of fruit to them, unlike a simple white vinegar. I do keep white vinegar in my kitchen for making "chilero", the famous Costa Rica hot sauce that uses habaneros. Vinegars are a great vehicle for carrying heat which is why Tabasco ferments its chiles in vinegar and vinegar only. I do keep a good quality red wine vinegar on the shelf as it goes into my Caesar salad dressing in equal parts with lemon juice. If you are buying red or white vinegars here in Costa Rica make certain you are not buying something that mentions the word "artificial" on the label. Chemical acids are used here to create vinegars and there is virtually no real flavor in them. Cuidado!

So get in the kitchen and cook with flavor! Mild is not a word in our vocabulary.

Aspiring to mild flavors is like aspiring to senility. Create your own flavor profiles using any or all of these ingredients and remember, Food Is Love.

ALTAMONT; THE CONCERT

This is a piece I wrote for a new Facebook page a friend of mine, rock photographer Jim Wiseman, put up called Altamont the Concert: An Oral and Visual History. He and I had been discussing this via Facebook chat and he invited me to share my recollections of that horrifying day. This is sort of born out of a new book by former Stones and Grateful Dead manager Sam Cutler who wrote a bio of his times with the two bands. A rather chilling photo of him onstage with Mick Jagger and a host of Hell's Angels got us talking. I wrote down what I remembered, what I saw and what I thought I remembered. Someone who knows me well says it may be my best piece of writing, yet. I'd love to hear your comments.

Altamont Stories

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David L Mahler

ALTAMONT PART 1

We went to Altamont the night before, left Berkeley in two vehicles; one an old blue panel wagon. Sleeping bags must have been packed, but they weren’t nearly as important as making sure we had enough weed and the “right” acid. I can’t recall that we’d had the good sense to bring any food, but there must have been something for that chilly night before.

My roommate and I were young, still 18, and at the tail end of our Fall quarters at UC Berkeley. We were a bad combination as all we needed was each other’s encouragement to put school and class behind any musical or cultural or political event. We basically majored in the Fillmore (West at the time) and did our share of rock-throwing and window smashing during the peripheral events following the People’s Park riots late in the previous Spring.

The notion of there being a giant free concert featuring the Stones had been weaving its spell through the airwaves from KSAN ever since the Stones had passed through, and was a heavy buzz, at least with the people we hung with. Seemed like every hour there was an update and another amazing band had been added. The location was a secret. No it wasn’t. Yes, it was. And so on.

Calls had been put out to my roommate’s East LA cronies and they were heading up in a van. They were charging up the freeway from Monterey Park and Alhambra. The location of the show had finally been revealed and because I was from the East Bay: born and raised, I was elected to get us out to Altamont, somewhere past Livermore, “wherever that was.” And what it did was get me shotgun, which was fine with me. Shit, I knew how to get to Livermore.

I don’t remember a thing about driving out there that evening, except that it was cold and it was dark. But when we got there it seemed as if a “car city” had grown up out of nowhere on a flat piece of scrub sitting up over the bowl where the concert would be. A lot of people had their headlights on (I always wondered how many people came back to dead batteries), and there were foul smelling fires burning all around. It was as if John Entwistles “hippie gypsys” had all come to roost in the same place. It turned out to be a good bit different than that.

We got good and high and wandered through the "campsites" set up by the early arrivals and things were just plain troubling early. People were fucked up on pills and cleaning products and an assortment of oddities. It was the weirdest energy I'd ever felt before a big show. Nothing like when they bussed us up Mt. Tam in yellow school buses to the Magic Mountain Music Festival. No, not much like that at all. This was BAD; weird drugs, weird crowd, cold and ominous.

In the morning we got up after our few hours of sleep and headed straight for the low, low stage way down in the belly of the property. It seemed so odd for it to be so low. We wanted to get right up front to see all big stars and to see the Stones play for free in California. The morning was a hurry up and wait proposition. You could feel how harried the stage crew was and how impatient the crowd was. Up front where we were, perhaps 20 yards from the stage wasn’t a party, it was a waiting game.

The stage seemed as if was surrounded by hangers on and the Angels were already a huge presence. An old yellow school bus was parked down to the right of the stage and the “security forces” pranced on it, yelling and drinking beer. Beer cans were flying out into the audience. I remember shivering early and often. We had taken yellow sunshine acid and I squirmed, feeling myself come on to it. It already felt as my friends and me were our own little group, circling our wagons against something. We didn’t know what, but things just seemed so WRONG.

When the sound system was finally cleared we breathed a sigh of relief. It WAS going to be alright, wasn’t it? Santana came on and the percussion kicked in and we stood up and leaned forward, ready to “get it on”. But through the music there was yelling and confusion behind us and we jerked our head around to see a giant naked Chicano dude running down the hill, over people and through groups yelling, “I’m going to the front. I’m going to the front”. And so he was until about twenty feet from the stage a Hell’s Angel jumped forward, swung a pool cue like a baseball bat and dropped the guy in his tracks.

We gaped, jaws slack. Did that really happen? Did we see that? We stared as one, but a crowd had gathered round and the mass of people kept pushing forward, as it would all day. It seemed as if the naked fat man had been swallowed up by the crowd. I don’t remember much more about Santana except that I was truly frightened. I kept turning 360 degrees to look at the crowd gathered and that was when I began having those bad trip feelings that the US government had gathered us all here in this one place; all these hippies and druggies and rock and rollers so they could eliminate us; wipe us out, all in one fell swoop. “Just the acid, just the acid”, I said over and over to myself.

And it got worse. After Santana’s weirdly brief set there was a long delay on stage. The crowd shifted and pressed. I had dropped my favorite hash pipe, but was afraid to get down on the ground to look for it. I was sure I’d be crushed. Finally my favorite band, Jefferson Airplane took the stage and I was sure it was going to get better. But oh my fucking Lord, it dissolved into chaos. The Angels were beating up anyone who got close to the stage and we were close enough to see fists swinging and heads fling back from being struck. Grace was pleading with the crowd to back up, but there was nowhere to go.

Marty Balin was yelling from the stage at the Angels to stop beating people and then suddenly he was airborne, leaping off the stage into the middle of a melee. This was hideous, this was Hell, this was the very definition of “chaos and anarchy” to quote from the Airplane themselves. The band ground to a halt. Paul Kantner was yelling into the crowd. Marty was getting beaten up and the stage was so low, it was impossible to see anything over the heads of the crowd. All I could think of was how badly I wanted out, but there was no way at all through the crowd and once out, then what would I do?

The remnants of the Airplane struggled from the stage and we were left with another long period of waiting. The skies had cleared somewhat and the sun came out to warm things up a bit. And the Flying Burrito Brothers bounced on stage singing about how it was “A Lazy Day”. I was obvious they’d just gotten off the helicopters. But it did lighten things a bit, as did the hundreds of plastic coffee can lids being hurled Frisbee style through the air, although my acid dread was so strong at this point that I saw them as a threat too.

The Burritos were done and it was mid-afternoon. It was getting gray again and it was easy to remember that it was early in December. The light would fade soon and it was getting cooler. Crosby, Stills, Nash and Young came on but with minimal energy and spark. It was obvious that they’d gotten a whiff (so to speak) of the overt weirdness and ugly energy. Plus the Angels were at this point striding around the stage as if they owned it. CSN&Y played a short and lackluster set, as if they couldn’t wait to be anywhere but where they were.

Altamont Stories

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David L Mahler

Altamont part 2
It was now late afternoon, but not nearly dark yet. The wait began again and with it the swell of the crowd grew like a huge wave behind our backs; pushing, pushing, pushing. It seemed like it took hours for the Stones to come out and it was getting hard to move. The only people on the stage were countless Hell’s Angels, swaggering back and forth; threatening the people being pushed helplessly forward. The stage seemed so close, but it seemed as if the number of people in front of us had doubled, or even tripled. I was in danger of being literally lifted up by the crowd. The acid was wearing off and all I was was jangly and tired and scared.

The pushing at the front was escalating and you could hear the sound of fights even if it was too densely packed to see them. It was cold despite the crush of humanity and now darkness had fallen. There were fires on the hillsides and it appeared (at least to me) that demons were huddling and dancing around them. The Angels were down in the crowd pushing people back and swinging on those who couldn’t /wouldn’t move. It was clearly a vision of hell on earth; a mass of flesh being forced forward where it was met with violent resistance.

It seemed like hours but then the stage lights were glowing bright and there was Mick in his Jack Flash suit. There was Keith and Mick Taylor and they were actually onstage and trying to work their way into position to play. It seemed as if they were jockeying with the Angels for center-stage. It was easy to see at this point that the Angels were relishing their power-grip on the situation and they seemed to almost sneer at the skinny English rockers.

The first chords of “Jumping Jack Flash” were powered out and the massive wall of flesh pushed forward even harder. I was sure I was going to be crushed. As the crowd literally fell into and onto the stage you could see the Angels fists rising and falling into the mass of people, connecting over and over again. Horrifying, just horrifying and the Stones ground on. They sounded ragged and tinny and were at best a sideshow to the violence in the front.

“Chill out , everyone just chill out”, called Mick, in his proper British accent. “Why are we fighting” he said again and again, oh so cluelessly. And he pouted and it seemed as if the band was going to refuse to play if the fighting didn’t stop. Keith took the lead and swung into the Chuck Berry tune, “Carol” and the band fell in but again they were ragged and at this point looked scared, as if they were playing for their lives. Between songs Mick pleaded and begged and scolded to no avail as the fighting went on in front.

And so appropriately enough, they launched into “Sympathy for the Devil” and that’s when the shit really broke loose. We couldn’t see shit and could barely see the Stones faces despite how close we were to the stage, but suddenly they stopped playing and Hells Angels were leaping off the stage into the crowd en masse. There was pushing, screaming and more pleading from Mick. It was everything that can ever possibly go wrong at a concert happening at once. After a few minutes the band picked it up again and an obviously shaken Mick Jagger began to sing again.

The rest of the set is best forgotten. Five skinny, coked out and frightened young Englishmen prancing and playing in front of a chorus of ghouls. It was never so clear as at this moment that the Angels had taken this party over completely. The Stones waded and wallowed through the rest of their set and when it was over, finally, thank God, the crowd began to thin and I could almost feel my feet on the ground. I felt as if I was in shock. I’d never been so glad for an experience to end in my life. Somebody said hopefully that the Dead hadn’t played and that maybe they’d come on next. I could only hope that they were long gone by then.

Our crew straggled back to the cars as fast as we could to try to get the drop on the ugly scene that the mass exit would be.
And here is where my being an East Bay boy paid off. Instead of getting on the freeway and sitting in the giant parking lot created by the concert, I knew how to get us off on a sideroad through the farmland that would swing us out behind Mt. Diablo and bring us down Morgan Territory Road, in through the ass end of Clayton and out onto the freeway near Walnut Creek. We were through the tunnel and back in our Berkeley apartment before a lot of people had reached their cars. We turned on the radio and listened to the reports of the worst traffic jam ever.

We were home, but it wasn’t over; not by a long shot. We were coming down off not just acid, but one of the worst rock and roll days any of us would ever have. It was every cliché we could think of; “The Death of Rock”, “The End of the Hippies”, blah, blah, blah. We talked until we were blue in the face and we talked until we finally just passed out from exhaustion, disappointment and shock. For days later we listened to every version, explanation and rendition we could on KSAN. We heard Sam Cutler give very heartfelt and honest explanations. He took responsibility with dignity and an honest feeling of the pain. At the end of all it he was left to deal with the massive stinking pile of shit the Stones had left behind.

Thank God we had a lovely coda to all of this two weeks later. It was announced on KSAN that to help bring in the Winter Solstice a band whose name meant Happily Deceased would be playing a midnight show at the old Fillmore, now run by the Flamin’ Groovies. Yes, it was the good old Grateful Dead and we went at midnight and danced until dawn in a half-full ballroom. Rock and roll as not dead, it had just taken a horrible wrong turn at a speedway somewhere out past Livermore.

I

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CHEF DAVE'S SECRETS, or, FLAVOR AND WHERE HE GETS IT

CHEF DAVE'S SECRETS, PART 1

or,

FLAVOR, AND WHERE HE GETS IT

I know, I know, this is the part where a momentary hush falls over the room and they ask themselves, "Well, does he really know anything and is he really going to share any of it."

What I may or may not know is certainly debatable and it is ultimately true that one man's knowledge may seem like embarrassing ignorance or pure bull to others. That being said (an entirely over-used phrase), what I will do is let you on to a few tricks that I use, ingredients that I keep around and ways to combine them to help bring out flavor in dishes that might need a little boost in the yummy department.

I'll get to my opinions about what you have in your pantry and on your shelf in a while, but this first part of my diatribe will talk about the things I keep in my refrigerator as flavor enhancers, or boosters, if you will. These are little pots and potions that are easy to prepare in advance and that can lend that little bump of flavor to dishes that might otherwise be just good as opposed to "over the top".

In the lower part of the refigerator, not the freezer zone, I am never without a jar of roasted garlic cloves in olive oil, marinated roasted red pepper strips, homemade mayonnaise and chicken fat. Each of these things will lend flavor in its own unique way; the garlic and peppers for sauces, dressings and salads: the mayo for fish sauces and dressings and the chicken fat for adding a little subtle flavor to anything that you may wish to saute.

Roasted garlic cloves are a simple prep. Just immerse them, peeled, in olive oil (make sure they're covered) and cook them on a very low heat until they are meltingly tender. Keep coming back and checking your flame on these, as it will want to jump up and boil them. You don't want that happening; really. And once they have cooled in their oil, you can jar it all, cloves and lovely garlic scented oil. The oil is for salad dressing, cooking vegetables or even adding to emulsions like mayonnaise (more on that in a moment). And the suave and creamy garlic cloves can be spread on bread or crostini, pureed and used to thicken sauces, added to dressings and so, so much more.

The roasted red peppers are another multi-use flavor enhancer. These require a bit more work and attention than the garlic, but you will happy that you've put in the time once you start to use them. The best way to roast red peppers is over the open flame of the burner on a gas stove. I put three or four around the burner, cranked to full and keep turning them with my trusty tongs until they are charred on all sides. And yes, they will get black but don't worry, that part comes off soon. As the peppers become completely blackened, put them in a bowl or plastic container that has a tight fitting lid and shut off the air from reaching them. You can also put them in a plastic bag, but be careful they are not so hot as to burn through it. The idea is to allow the steam from the cooked pepper to lift the burned skin away from it so it can be easily removed. And to remove it, let the peppers cool, peel away as much of the skin as you can and remove the rest under running water. Yes, your hands will get dirty, but you'll thank me for this later.

Once the peppers are peeled, split one side of them with a knife and remove the seeds by just pinching them out. Rinse the peppers again to get out all the seeds and pat them dry. Cut the peppers open; down the side you split to get the seeds out and lay them on a cutting board. Cut them in thirds and then into thin strips. Put the strips in a bowl and add salt and pepper, a little vinegar (I use red or sherry) and mix well. Put the strips into a glass jar that has a lid, or one of those zip-loc containers with snap on lid and pour in enough of the garlic oil that you've just made (or just regular olive oil) so that the peppers are covered. Put the lid on tight, shake well and refrigerate for a day or two to get the flavors to mingle. And mingle they will.

Both the roasted garlic and roasted red peppers are used in salads and sauces and a great many of the sauces are based on that staple of professional kitchens (and yours too, since it's easy), chicken stock. We'll get into chicken stock; how and why you should make it, and all the things you can do with it further on, but for now we're dealing with little flavor boosters from the fridge and one I use frequently, again, with help from the chicken, is rendered chicken fat.

Every time you buy a whole chicken and look up its posterior you will see a clump of yellow-y fat attached to either side of said orifice. Most of you (an often) me, would have thrown these out in a previous life, but don't do it; don't do it! Instead yank it out and put it somewhere safe; a bowl, a plastic container, somewhere. Additionally, as you break down your chicken into smaller pieces, you will encounter more fat and a lot of pieces of skin that you won't want to cook. Cut all of these off and save them too. When you have a nice pile of chicken fat and skin, put it into a small heavy pot with a couple of tablespoons of water, put it over a low flame and cook it slowly. The fat will render, the skin will become crisp and you will get, after perhaps an hour or so, a nice coppery colored clear fat surrounding your chicken cracklings. Pour it through a fine strainer and save it. Eat the cracklings if you like; over a salad, by themselves, or not. I give mine to the dog.

But the rendered chicken fat, the chicken fat; prized in Jewish cooking as schmaltz, will add flavor to anything and everything you cook in it. At my restaurant, Belle Roux, in San Francisco, my cooks and I, as an experiment, saved and rendered all the fat and skin from all the chickens we cut (and we were banging through a couple of cases of 24 a week). We started using it for sauteeing and cooking whatever we put on the griddle and not only did we save a lot of money, but we discovered that catfish in a spicy batter tastes really good cooked on griddle in chicken fat. But, I digress, this about you, not me. At your house, you can use the chicken fat for anything you would use ordinary cooking oil for. If it is rendered properly and strained through a fine mesh strainer, it can be heated to a relatively high heat. And it makes green beans, spinach, and anything you pan-cook taste better. I would hesitate, however, to use it for pancakes.

And lastly, in this section, before we get to the goodies in the freezer that are equally important in building and boosting flavor, we come to good old mayonnaise. There is no comparison between store bought mayo (even if you swear by Hellman's or Best Foods, west of the Rockies), and what you can make in three minutes with your food processor. Store bought mayonnaise has so much sugar and so many stabilizers (for shelf life) in it that you can't taste what it's really made of; eggs, good oil, dijon mustard and a hit of vinegar and/or citrus.

Check this out:

Put 1 Egg and 1 Egg Yolk in your food processor.

Squeeze in the juice of one big or two small lemons (no seeds, please);

A splash of good vinegar (and for God's sake, Balsamic is not good vinegar),

Two crushed garlic cloves;

1 TBS Dijon Mustard;

pinch of salt and three or four grinds of pepper;

a dash or two of Tabasco.

Pulse all this in the processor until combined and then (slowly, but not painfully slowly) drizzle in 1 Cup of Canola (or other cheap kitchen oil) and 1 Cup decent but not Extra Virgin Olive Oil. You can also substitute some of your roasted garlic oil here if you want a gentle garlic flavor in your mayonnaise,

As you are adding the oils, about halfway through you will hear a change in the sound the motor of your food processor makes and that is the sound of mayonnaise being made. When the oils are completely added, take off the top and take a scoop with your finger. That's what real mayonnaise tastes like. If you like more salt or more acid (lemon or vinegar), add them. If the mayo seems a bit too thick for you, add a bit of warm water with the motor running.

Voila! Fresh real mayonnaise to use in the best tuna or potato salads, in salad dressings, to add to dips for crudites, sauces for fish (it makes a killer tartar sauce with the addition of chopped capers and green onions), particularly with artichokes, or whatever you like. If you keep your new mayonnaise buddy cold he will keep for up to two weeks in your refrigerator. Use him frequently; become both friends and allies.

So there you are; four easy additions to your arsenal of flavor boosters. And believe me, I use these four ingredients on an almost daily basis. Next up, we'll move to the freezer for a few more tools from my box and tricks from my bag. Chow for now. chefdave